Affirmative Reaction explores the cultural politics of heteronormative white masculine privilege in the United States Published: 25th January A biography of Henry Roe Cloud c. Published: 12th June In Translating Empire, Laura Lomas uncovers how late nineteenth-century Latino migrant writers developed a prescient critique of U. Published: 2nd January Castiglia contends Published: 11th November In Waves of Decolonization, David Luis-Brown reveals how between the s and the s, writer-activists in Cuba, Mexico, and the United States developed narratives and theories of decolonization, of full freedom and equality Published: 6th October Teuton challenges the claim that Red Published: 3rd June Exceptional State Contemporary U.
Exceptional State analyzes the nexus of culture and contemporary manifestations of U. The contributors, established and emerging cultural studies scholars, define culture broadly to include a range of media, literature, Published: 29th June Argues that from the late eighteeneth century through the early twentieth, American literary and political texts used the figure of the child to represent U. Published: 25th October Paredes taught literature and anthropology at Published: 4th April Holden Caulfield, the beat writers, Elvis Presley, Chuck Berry, and James Dean—these and other avatars of youthful rebellion were much more than entertainment.
It places the black upper and middle classes within American literary history, illustrating how they used reading and literary conversation as a means to assert their civic identities and intervene in the political and literary cultures of the United States from which they were otherwise excluded. While American Studies was formerly seen as a wholly subsidiary academic program that loosely combined the study of American history, literature, and art, From Walden Pond to Jurassic Park reveals the evolution of an independent, highly interdisciplinary program with distinctive subjects, methods, and goals that are much different than the traditional academic departments that nurtured it.
With anecdote peppered discussions ranging from specific literary texts and movies to the future of higher education and the efficacy of unions, From Walden Pond to Jurassic Park entertains even as it offers a twenty-first century account of how and why Americanists at home and abroad now do what they do.
With its military and economic influence, its cultural and linguistic reach, the United States is—for better or for worse—too formidable and potent not to be understood clearly and critically. Duke University Press, Originating as a proponent of U. The Futures of American Studies considers the field today and provides important deliberations on what it might yet become. Essays by both prominent and emerging scholars provide theoretically engaging analyses of the postnational impulse of current scholarship, the field's historical relationship to social movements, the status of theory, the state of higher education in the United States, and the impact of ethnic and gender studies on area studies.
They also investigate the influence of poststructuralism, postcolonial studies, sexuality studies, and cultural studies on U. No single overriding paradigm dominates the anthology. Instead, the articles enter into a lively and challenging dialogue with one another.
A major assessment of the state of the field, The Futures of American Studies is necessary reading for American Studies scholars. Demonstrating from a new perspective the centrality of race to the construction of white manhood across class lines, Gilmore argues that in the years before the Civil War, as literature increasingly became another commodity in the capitalist cultural marketplace, American authors appropriated middle-brow and racially loaded cultural forms to bolster their masculinity.
Gilmore argues that these figures were manipulated, translated, and adopted not only by canonical authors such as Hawthorne, Thoreau, Cooper, and Melville but also by African American and Native American writers like William Wells Brown and Okah Tubbee.
By examining how these cultural notions of race played out in literary texts and helped to construct authorship as a masculine profession, Gilmore makes a unique contribution to theories of class formation in nineteenth-century America. The Genuine Article will enrich students and scholars of American studies, gender studies, literature, history, sociology, anthropology, popular culture, and race.
Illuminating a previously unnoticed set of concerns at the heart of the fiction, he contends that mid-twentieth-century American crime writers used the genre to confront and wrestle with many of the paradoxes and disappointments of New Deal liberalism. For these authors, the same contradictions inherent in liberal democracy were present within the changing literary marketplace of the mid-twentieth-century United States: the competing claims of the elite versus the popular, the demands of market capitalism versus conceptions of quality, and the individual versus a homogenized society.
Gumshoe America traces the way those problems surfaced in hard-boiled crime fiction from thes through the s.https://baslacomherz.tk
Two of the first crime writers to publish original fiction in paperback—Jim Thompson and Charles Willeford—are examined next in juxtaposition to the popularity enjoyed by their contemporaries Mickey Spillane and Ross Macdonald. The stories of the former two, claims McCann, portray the decline of the New Deal and the emergence of the rights-based liberalism of the postwar years and reveal new attitudes toward government: individual alienation, frustration with bureaucratic institutions, and dissatisfaction with the growing vision of America as a meritocracy. Before concluding, McCann turns to the work of Chester Himes, who, in producing revolutionary hard-boiled novels, used the genre to explore the changing political significance of race that accompanied the rise of the Civil Rights movement in the late s and the s.
Combining a striking reinterpretation of the hard-boiled crime story with a fresh view of the political complications and cultural legacies of the New Deal, Gumshoe America will interest students and fans of the genre, and scholars of American history, culture, and government. Over the next century, these ideas—which came to be known as the Monroe Doctrine—provided the framework through which Americans understood and articulated their military and diplomatic role in the world.
Hemispheric Imaginings demonstrates that North Americans conceived and developed the Monroe Doctrine in relation to transatlantic literary narratives. Presenting fiction and popular journalism as key arenas in which such inconsistencies were challenged or obscured, Murphy highlights the major role writers played in shaping conceptions of the U. Corber Duke University Press, Challenging widely held assumptions about postwar gay male culture and politics, Homosexuality in Cold War America examines how gay men in the s resisted pressures to remain in the closet.
Robert J. Corber argues that a form of gay male identity emerged in the s that simultaneously drew on and transcended left-wing opposition to the Cold War cultural and political consensus. Combining readings of novels, plays, and films of the period with historical research into the national security state, the growth of the suburbs, and postwar consumer culture, Corber examines how gay men resisted the "organization man" model of masculinity that rose to dominance in the wake of World War II.
By exploring the representation of gay men in film noir, Corber suggests that even as this Hollywood genre reinforced homophobic stereotypes, it legitimized the gay male "gaze. Corber then considers the work of gay male writers Tennessee Williams, Gore Vidal, and James Baldwin, demonstrating how these authors declined to represent homosexuality as a discrete subculture and instead promoted a model of political solidarity rooted in the shared experience of oppression.
Homosexuality in Cold War America reveals that the ideological critique of the dominant culture made by gay male authors of the s laid the foundation for the gay liberation movement of the following decade. Corber Duke University Press, In the Name of National Security exposes the ways in which the films of Alfred Hitchcock, in conjunction with liberal intellectuals and political figures of the s, fostered homophobia so as to politicize issues of gender in the United States.
As Corber shows, throughout the s a cast of mind known as the Cold War consensus prevailed in the United States. Promoted by Cold War liberals--that is, liberals who wanted to perserve the legacies of the New Deal but also wished to separate liberalism from a Communist-dominated cultural politics--this consensus was grounded in the perceived threat that Communists, lesbians, and homosexuals posed to national security.
Through an analysis of the films of Alfred Hitchcock, combined with new research on the historical context in which these films were produced, Corber shows how Cold War liberals tried to contain the increasing heterogeneity of American society by linking questions of gender and sexual identity directly to issues of national security, a strategic move that the films of Hitchcock both legitimated and at times undermined.
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Drawing on psychoanalytic and Marxist theory, Corber looks at such films as Rear Window, Strangers on a Train, and Psycho to show how Hitchcock manipulated viewers' attachments and identifications to foster and reinforce the relationship between homophobia and national security issues. A revisionary account of Hitchcock's major works, In the Name of National Security is also of great interest for what it reveals about the construction of political "reality" in American history.
Castiglia contends that citizens of the early United States were encouraged to locate this social impulse not in associations with others but in the turbulent and conflicted interiors of their own bodies. Drawing insightful connections between political structures, social relations, and cultural forms, he explains that as the interior came to reflect the ideological conflicts of the social world, citizens were encouraged to mis understand vigilant self-scrutiny and self-management as effective democratic action.
Narrative Patrick O Donnell Duke University Press, Latent Destinies examines the formation of postmodern sensibilities and their relationship to varieties of paranoia that have been seen as widespread in this century. Despite the fact that the Cold War has ended and the threat of nuclear annihilation has been dramatically lessened by most estimates, the paranoia that has characterized the period has not gone away. The result is an erasure of historical temporality—the past and future become the all-consuming, self-aware present.
Organized around the topics of nationalism, gender, criminality, and construction of history, Latent Destinies establishes cultural paranoia as consonant with our contradictory need for multiplicity and certainty, for openness and secrecy, and for mobility and historical stability.
Demonstrating how imaginative works of novels and films can be used to understand the postmodern historical condition, this book will interest students and scholars of American literature and cultural studies, postmodern theory, and film studies. The U. Duke University Press, Look Away! South in relation to Latin America and the Caribbean. Given that some of the major characteristics that mark the South as exceptional within the United States—including the legacies of a plantation economy and slave trade—are common to most of the Americas, Look Away!
At the same time it shows how, as part of the United States, the South—both center and margin, victor and defeated, and empire and colony—complicates ideas of the postcolonial.
The twenty-two essays in this comparative, interdisciplinary collection rethink southern U. South and Latin America. Duke University Press, For the most part, democracy is simply presumed to exist in the United States. It is viewed as a completed project rather than as a goal to be achieved. Fifteen leading scholars challenge that stasis in Materializing Democracy. Drawing on literary criticism, cultural studies, history, legal studies, and political theory, the essays collected here highlight competing definitions and practices of democracy—in politics, society, and, indeed, academia.
Edwards examines American representations of the Maghreb during three pivotal decades—from , when the United States entered the North African campaign of World War II, through Pease Duke University Press, National narratives create imaginary relations within imagined communities called national peoples. But in the American narrative, alongside the nexus of belonging established for the national community, the national narrative has represented other peoples women, blacks, "foreigners", the homeless from whom the property of nationness has been removed altogether and upon whose differences from them the national people depended for the construction of their norms.
Dismantling this opposition has become the task of post-national Post-Americanist narratives, bent on changing the assumptions that found the "national identity. The contributors examine various cultural, political, and historical sources--colonial literature, mass movements, epidemics of disease, mass spectacle, transnational corporations, super-weapons, popular magazines, literary texts--out of which this narrative was constructed, and propose different understandings of nationality and identity following in its wake.
Nelson Duke University Press, National Manhood explores the relationship between gender, race, and nation by tracing developing ideals of citizenship in the United States from the Revolutionary War through the s. Through an extensive reading of literary and historical documents, Dana D. Nelson analyzes the social and political articulation of a civic identity centered around the white male and points to a cultural moment in which the theoretical consolidation of white manhood worked to ground, and perhaps even found, the nation.
Using political, scientific, medical, personal, and literary texts ranging from the Federalist papers to the ethnographic work associated with the Lewis and Clark expedition to the medical lectures of early gynecologists, Nelson explores the referential power of white manhood, how and under what conditions it came to stand for the nation, and how it came to be a fraternal articulation of a representative and civic identity in the United States.
In examining early exemplary models of national manhood and by tracing its cultural generalization, National Manhood reveals not only how an impossible ideal has helped to form racist and sexist practices, but also how this ideal has simultaneously privileged and oppressed white men, who, in measuring themselves against it, are able to disavow their part in those oppressions. Historically broad and theoretically informed, National Manhood reaches across disciplines to engage those studying early national culture, race and gender issues, and American history, literature, and culture.
Deploying an impressive range of literary and cultural texts, Castronovo interrogates an American public sphere that fetishized death as a crucial point of political identification. This morbid politics idealized disembodiment over embodiment, spiritual conditions over material ones, amnesia over history, and passivity over engagement. Castronovo contends that citizenship does violence to bodies, especially those of blacks, women, and workers.
By obsessing on sleepwalkers, drowned women, and other corpses, necro ideology fostered a collective demand for an abstract even antidemocratic sense of freedom.
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Patell Duke University Press, Since the nineteenth century, ideas centered on the individual, on Emersonian self-reliance, and on the right of the individual to the pursuit of happiness have had a tremendous presence in the United States—and even more so after the Reagan era. But has this presence been for the good of all? In Negative Liberties Cyrus R. Patell revises important ideas in the debate about individualism and the political theory of liberalism.
He does so by adding two new voices to the current discussion—Toni Morrison and Thomas Pynchon—to examine the different ways in which their writings embody, engage, and critique the official narrative generated by U. Pynchon and Morrison reveal the official narrative of individualism as encompassing a complex structure of contradiction held in abeyance.
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